Recession Proof Valentine’s

Peggo Hodes and Kent Allyn

Here I am in my new Valentine's Dress with Kent Allyn.

Yesterday, I performed a Valentine’s Day concert of love songs called “Recession Proof Valentines: I Can’t Give you Anything But Love” with Kent Allyn, my long-time accompanist and musical pal. We give an annual concert every February in honor of love. The hall was full of old friends who come every year and some new faces, too. Kent and I had a great time playing these songs.

Afterwards, we got talking about how nervous we each get before this concert. This is the one concert that makes me the most nervous. I always thought Kent was cool and unflappable, but turns out the older he gets the more nervous he gets. We started comparing notes about how to manage this performance anxiety.

Performance anxiety or stage fright is a consuming experience, affecting my body, mind, and spirit. It impairs my energy, my ability to focus, memorize, breathe, and stay calm. In fact, the fear of how the anxiety will affect me is often worse than what actually happens.

About two days before this concert, I decided to focus all of my preparation on channeling my anxiety into a positive state of readiness. I have developed many strategies for handling my performance anxiety over the years. It was reassuring to experience again that these strategies work for me. Here are my top 3 strategies.

1- I reframe every negative, anxious, worried thought into something positive and present tense. I write out as many as I can think of and read them first thing in the morning, before bed, before or during practice, and whenever my worried brain gets overwhelmed, for example- “I’ll never remember all these words” becomes ” I trust my memory. I know how to prepare.”

2- I make a list of what I am most worried about and focus my practice on those things. The older I get, the more focused practice time I need. In this annual Valentine’s concert, memorizing words is one of my biggest worries. I write the words for each song on a 4×6 index card. I carry them with me all day, taking them out to review at red lights, in lines, waiting for an appointment, on my daily walks. The time over-preparing reassures me.

3- Meditation – I have found that being still and centering myself reminds me that there is a place in which worries are irrelevant. The more anxious I am, the more I meditate. In that quiet place, I sing the songs in my mind as if I am singing them for sheer joy, no goals, no outcomes. It is blissful and makes me happy. I can breathe. The more practice I have singing in that place, the better able I am to sing in performance with total presence and joy.

Very happily, that is how the concert went yesterday. It was a joyful sharing of songs with friends, songs that we both loved preparing and performing. It was a performance, but I felt present to each song, each note, each beautiful turn of Kent’s piano phrasing. The songs then become a place in which everyone in the room can connect, sharing an experience of the pleasure, ache and tingle of love.

I am interested in how you manage performance anxiety. Feel free to share your strategies on this blog.

Vibrant Voice, a new blog

Peggo, A Vibrant Voice

Welcome to Vibrant Voice, a blog about the myriad facets of voice, how it works, how to release more of it, how to speak and sing what we long to, and what our voice has to tell us about who we are, disclosing our true physical, emotional and spiritual being that can be heard in our voice.

I am fascinated by voice, especially how it reveals who we are moment to moment. Voice is totally dependent on breath – no breath – no sound, thin breath – thin sound, full breath – warm sound. Our voice is an audible read-out of the state of our being. Are we tired, sick, anxious, excited, happy, ecstatic? In our voice, we hear our physical and emotional truths.

At lunch recently in New York City, my 26 year-old daughter, Ariana, said to me, “Mom, take a breath. Relax.” Ariana was responding to my rising anxiety level, which I thought I was managing fairly well. She said later, “I could hear it in your voice.” As simple as that, reality is revealed. I wasn’t hiding anything or keeping it to myself, as I thought. Truth was in the quality of my breath, which was anxious and shallow. The resulting sound was also anxious and shallow, unsupported by breath. Taking a deep, relaxed breath, as Ariana suggested, brought me back into my body, back to the present moment and made me smile.

The throat is a gate, allowing the voice to reveal who we are to the world. We communicate with others through this gate, asking for what we need – or not, sharing who we are, expressing ourselves. As we age, we learn how to open and close this gate when necessary, learning the bounds of what is socially acceptable and safe. In our fear, we try to control the gate, hiding behind it for fear of judgment or rejection. Is it safe to reveal our vulnerabilities as well as our unique gifts? Can we allow ourselves to live a full life, expanding into our soul’s calling? The voice can lead the way.

I teach what I need to learn. I developed Vibrant Voice so that I could take the workshop that I most wanted. Teaching Vibrant Voice, I am reminded of who I am. Breathing, toning, singing, coaching, sharing, loving, every word and every note reconnects me with the core of my being, helping me to grow into my next phase and let go of the old, outmoded ways. Come sing at a Vibrant Voice workshop with me or host one in your area.

Thank you for reading my blog. As Fred Merchant said, “Trust the small but persistent impulse to sing.” Your soul will thank you.

Singing with you,
Peggo

In each blog posting, I am going to add an exercise that you can try so that you can experience something new about your voice. This month, as part of my website launch, I have devised 5 fun voice explorations entitled
5 Easy Steps to a Vibrant Voice. Go to peggohodes.com to receive your free copy along with a free track from my most recent recording, “Peggo in Love.”